Media Arts Training

The Refugee Magazine: The Story of My Life, as a Refugee.

The Refugee Magazine is created by, written for and distributed freely to refugees in Kakuma and Dadaab refugee camps in Kenya. The magazine publishes original content and covers many subjects relevant to its readers such as reportage on key events, poetry and arts, life stories and practical information.

The Refugee Magazine is now in its fifth year, and continues to entertain, inform, and give a voice to those living in the camps. 

This week, in light of the UN announcement of its campaign to combat statelessness, we are sharing the story of Abdiweli Omar Mohamed. His story details his family's struggles with fleeing civil war, encountering drought, becoming stateless, and life in Dagahaley camp, where Abdiweli later received education and journalism training through FilmAid's Media Arts Training program.

 

'The Story of My Life, as a Refugee' by Abdiweli Omar Mohamed

Featured in The Refugee, Dadaab Edition No. 2, 2014.  

At the beginning of the fall of President Siyad Bare’s regime in 1990, I was still unable to differentiate between war and peace – I was two years old.

I was the second last born in my family, with two elder brothers. When the civil war broke out, people started fleeing towards different parts of the country in fear for their lives, but for my family, we had no other option but to go where my father was – in the bushes with our countless cattle and goats. So my mother arranged for our journey with the help of my elder brothers. They packed all our belongings and mounted them on our donkey carts. Then the journey began, early the following day. In the town, people had cars and lorries, all packed up; while some were walking, with their luggage on their backs.

After moving for six hours, we arrived at a place called Latagari where we rested and eventually spent the night. We resumed our journey the following morning. At the back where we came from we could still hear heavy gunshot sounds but we turned a deaf ear. When we arrived at my father’s place, we were all tired and hungry. Although he had heard the news, he was still unsure about fleeing and leaving the animals behind. We stayed there for four years before a harsh drought hit. All our animals died except two thin cows. My father later decided to slaughter one of the cows to help us survive a few more days.

When we ran out of food and the only cow remaining was all the ‘food’ we had. My father made a decision for us to move in search of good pastures, and we would use the cow for survival during our journey. After an unforgettably long walk for days, we arrived at Dagahaley, which now looks very different. Here, we met some of our relatives, neighbours and many other people we knew back in Somalia.

It took three years for us to be registered as refugees by the United Nations High Commissioner for Refugees (UNHCR). The three years not being recognized by UNHCR were dreadful. Even though we could access other social amenities such as water and health care, we did not receive food and had to survive on little offerings by the relatives and friends we knew.

After registration, my father
took us to school. We enrolled at Central Primary School in Dagahaley, where pupils were taught under a tree. When they reached class seven, my two elder brothers scarpered and went back to Somalia without notifying my parents or anyone. I was in class five then and was also tempted to drop out of school like my brothers, but my friend Ayub Omar advised me not to, telling me to look into the future and what I wanted in life.

Years later, I sat for the K.C.P.E (Certificate of Primary Education) national exams where I managed to attain 283 marks out of the possible 500. After this I joined Dagahaley Secondary School. Being in form one was a joyous moment for me. Three years later I finished my high school, achieving a decent grade.

Then I saw an opportunity to explore my love for writing through FilmAid’s Journalism Training Program. My trainer, Mr. Paul Odongo, has been helpful in parting skills to help build my future as a journalist, and the sub-editor Mr. Ali Sahal for guidance.

My parents have always accorded me great support and the chance to make my own deci- sions. My brothers are doing well in Somalia; one is married and has children.

Living in the camp is one of the greatest gifts of my life. For in this camp I have lived safely and received education. However, Somalia is my home and I hope to go back some day, but not just yet.

 

Tread Carefully: Mine Awareness in Southeast Asia

Tread Carefully filming in action

FilmAid’s work on the Thai-Myanmar Border, reaches thousands of refugees with its on-going screenings.  Audience figures stand at well over 500,000 viewings.

In 2013, FilmAid was more than willing to partner with Handicap International - now called Humanity & Inclusion - to provide a vital public service and information dissemination.

Our mission, to inform those who live in the 9 Shelter Camps how to avoid life threatening contact with land mines and ERWs (explosive remnants of war) and what to do if you encounter them.  More than 3,000 people have been killed or injured along the Thai-Myanmar border as a result of these in recent years. In fact, across the entirety of this 2,000 kilometre-long border, it is estimated 70 per cent of the ground has been sown with mines.

In order to pass on this information, FilmAid produced Tread Carefully. This 50-minute film tells the story of two young brothers and the care they must take to arrive safely at their grandfather’s village on the other side of the mountain.

After two months of script development, casting, location scouting and rehearsals, refugee filmmakers jumped into filming. Conditions were difficult - 100-degree heat, a time consuming relocation after the set burnt down, and a production that hobbled along when the main actor sprained his ankle. But refugee filmmakers learned that it’s all part of the process.FilmAid’s mine risk education film Tread Carefully has now been screening in all 9 camps along the border as part of a campaign to prevent land mine accidents. Reports say it will take over 50 years to clear the land mines along the border, but the impact of our film and outreach efforts alongside Handicap International will undoubtedly have a lasting positive impact.  Tread Carefully has received over 106,590 viewings in all nine camps.

In 2018, the FilmAid team will be working on a new short film with the MRE team.

In order to find out more about our ongoing programs in Thailand, follow us onTwitter and Facebook

Farida's Story: From Facilitator to Filmmaker in Kakuma Camp

“When people talk about film, they say it’s for men, especially in African culture. They think a woman can never hold a camera. People think film is only acting, but there are so many roles in filmmaking, and a woman can do anything if she has the opportunity to learn” Farida Naimana tells FilmAid in Kakuma refugee camp, Kenya. 

Farida, 23, who is originally from Burundi, was one FilmAid’s first students in Kakuma. A camp which is receiving record numbers of refugees for the second consecutive year. The camp was originally established in 1992 to serve Sudanese refugees, but has since expanded to serve people from Somalia, Ethiopia, Burundi, the Democratic Republic of Congo, Eritrea, Uganda, and Rwanda. Kakuma’s population is close to 125,000 but growing rapidly every year. 

Farida’s experience as a FilmAid student led her to taking on the role of Outreach Facilitator within the camp. FilmAid’s Outreach Facilitators are integral and unique, they work tirelessly to bring about community engagement and participation through various media and workshops.  Farida's day would involve meeting with diverse people across the camp and delivering programs or workshops in the midst of the dust storms and harsh desert environment of the camp. 

For Farida, the skills she gained as a Facilitator, meant she was eager to challenge herself further and enter the field of film production. She quickly joined our Filmmaker Training Program. Farida tells us, “I had to start from scratch when I moved to production. I did not know how to operate simple equipment like the camera and big computers. Now I am learning how to handle a camera, shoot, edit the videos and actually produce content”.

Farida’s story reveals how passion and creativity can be ignited through exposure to new opportunities like our Filmmaker Training Program. Many people living in refugee camps don't have the chance to learn new skills, and opportunities for expressing creativity are lacking. Farida not only rejects any stereotype suggesting that women cannot be involved in film, but she proves that talents can flourish in the most challenging places.

Want to know about how women benefit from our Filmmaker Training Program in Dadaab refugee camp? Click here