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Refugee Filmmakers Shine at Film Festival

When people talk about refugees and life in the camps, the image that comes to mind is what the news channels have been feeding us over the years. Malnourished children, endless fights, hunger, tents not worth living in and general harsh environmental conditions. As much as this could be true, what we never realize is that within this camp, ordinary lives are going on! Children are born and go to schools, talents are nurtured, businesses are thriving, and boys are hitting on girls… You know, the usual stuff that happens in any other modern society.

“We always forget that these people have talents and are just human beings like any others” Says Duc Mallard, a 19 year old Burundian refugee filmmaker now living in Kakuma. Duc was speaking at the closing ceremony of the recently concluded FilmAid Film Festival at Alliance Française in Nairobi where his film “Kakuma can Dance” received the award for best documentary film.

A passionate dancer, musician and filmmaker, Duc Mallard was able to bring these three elements together in his short documentary Kakuma Can Dance. This video portrays the life of young refugees who are not only obsessed by hip hop dancing but use the dance for recreation and as a way of interacting among themselves. All they want is a chance to be able to showcase their skills against those of Kenyans at the national level.

Speaking during a discussion panel in Nairobi, Duc together with renowned Kenyan film and TV producers; Judy Kibinge and Mburugu Gikunda, talked about how they hope the films would portray various aspects of life in the camps and break down some of the stigma attached to refugee life.  The panelists were drawn from the media, human rights groups, UN refugee agency (UNHCR), academia, film industry and the refugee community. The audiences engaged in lively discussions and Q&A sessions on topics such as: media and human rights, displaced persons, xenophobia, racism and tribalism

Mohammed Sheikh Bashir is a budding journalist, blogger and Filmmaker who has been living in Dadaab since 1991 when he was the age of 4. His documentary film “Pesa” saw him bag the prestigious award for best director from Dadaab. His film is about a character called Pesa who has lived in a rural village all his life. He understands bartering to be the way of life, as no other form of currency exists in the village. When he decides to move to an urban town, Pesa must come face-to-face and understand the true value of money.

Also screening from Dadaab were: “Ibramina” and “Towards the Light” by Hassan Jimale; “Shattered and Restored” by Fu’ad Abdi Affey and “Lacag (Pesa)” by award-winner, Mohamed Bashir Shiek, for best director.

The line-up from Kakuma included: “Love Worthy Suicide” by Akolom Fredrick; “Larme (Tears)” directed by John Thomas; “Ayang (Hero)” by Majok Mabil; “The Edge” by Ebenyo William Eloto  and “Bitter Tears” directed by Lowot John Peter.

The FilmAid Film Festival is an annual event that provides a platform to the young and talented filmmakers living in and around Kakuma and Dadaab refugee camps in Kenya to be able to showcase their work in the community as well as national and global level. These youth undertake a one-year film-training program where they are taught basic skills in filmmaking after which they produce their own films. The FilmAid Filmmaker Training Program is a youth and media arts program that targets young refugees from the surrounding host communities with media training that equips them to use media for social good.

This year, the seventh run of the FilmAid Film Festival was held over one week  (12-16 August) in Kakuma and Dadaab, and three days (21-23 August) in Nairobi’s informal settlements of Mathare and Kibera, and at Alliance Française. The festival showcased 16 refugee films and 6 foreign entry submissions under the theme “The Right to Tell Our Stories”.

Speaking to local journalists in Dadaab, John Kilungu, (Programs Manager, FilmAid Dadaab) said, this years` theme provides the youth with an opportunity to tell their stories in their own voices to the rest of the world. “Unfortunately most of the content shown in Dadaab is predominantly from local and international media that is mostly shaped to fit a particular audience and therefore we hope that the event will help increase local content for people leaving in Dadaab” he added.

The featured international entries were an award-winning collection from the USA, Rwanda, Sweden, India and the UK. These films were “Finding Hillywood” by Leah Warshawski & Chris Towey; “The Last Day” by Siddartha Gigoo, “A Testimony” by Marta Lefler, “Rain is Beautiful” by Marc Silver & Nick Francis, “Nickel City Smiler” directed by Scott Murchie & Brett Williams and “Beasts of the Southern Wild” directed by Benh Zeitlin.

Fresh from its success at Cannes and Sundance film festivals, “Beasts of the Southern Wild” took the premier spot in the screenings in Dadaab, Kakuma and Nairobi. This daring, atmospheric and richly textured film, is shot through with raw emotion in a forgotten but defiant bayou community that has been cut off from the rest of the world by a sprawling levee. The ten-year-old protagonist, Hushpuppy, exists on the brink of orphan hood, buoyed by her childish optimism and extraordinary imagination; she believes that the natural world is in balance with the universe until a fierce storm transforms her reality. Desperate to bring order back to her world by saving her ailing father and sinking home, this tiny hero must learn to survive unstoppable catastrophes of epic proportions. Check out the trailer here.

In the camps, the festival consisted of much more than mere screenings, students from the Filmmaker Training Program, together with FilmAid staff held several filmmaking clinics where eager youth were introduced to the basic skills of handling a camera, shooting and given tips in video editing. This helped to encourage more people to sign up to be a part of the next generation of young FilmAid filmmakers.

In addition, a team from My Start Project from the UK, held a two-week workshop in Kakuma to teach young students skills in filmmaking, painting, drawing and photography to help them express their stories in more creative ways.

Ismail Shallis, a member of My Start says, the complete art works are taken back and exhibited in schools in Europe and America, so that the kids in those countries can learn about the life of a refugee in the camps and hopefully to remove some of the stigma in the West about what is it like to be a refugee.

“Young people in the camps have limited opportunity for creative expression, which is crucial for young people who have lived through distressing experiences and face uncertain futures” said Tania and Amy Campbell Golding, Co-founders of My Start.

At the closing gala, residents of Kakuma were treated to an electric performance by one of Kenya’s rising hip-hop stars, Octopizzo. Among others singles Octopizzo sang, Ivo Ivo, Swag, BilaMic, and Mama, his favorite hit. During his three-day visit in Kakuma, Octopizzo met with the music artists living in the camps where he encouraged them to work hard, continue their art, and overcome the challenges their environment presents.  Meanwhile, Octopizzo is planning to produce a music video in Kakuma, which will include some of the talented music artists living in the camp.

We would like to thank our wonderful audiences during our mass out-door evening screenings in Kibera and Mathare Informal settlements. Special thanks to the filmmakers, panelists, Chris Cooper our projectionist!, Charles Otieno for braving the heat in the discussion panels!! And OCTOPIZZO for his electric performances and great hits .We are most grateful to U.S. Department of State: Bureau of Population, Refugees (BPRM), and Movies that MatterMy Start and UNHCR for supporting us!

Looking forward to a bigger and better FilmAid Film Festival 2014!

Making Big Noise for Soundcheque

Soundcheque_Banner

Are you a filmmaker or a musician?  If so (or even if not) we'd like to give a big sout out to our scoring partners, Soundcheque, who have provided the soundtrack for 18 of our latest films.  These films were made by our students in conjunction with our seventh FilmAid Film Festival, currently taking place in Kakuma and Dadaab refugee camps and in Nairobi.  

SoundCheque

Soundcheque supply a fabulous, personal service that connects music and media makers.  They provide the perfect soundtracks for films, TV, games, and other media and have a brilliant bank of original scores.  You can work directly with a composer or Soundcheque will find the music for you without you having to search, saving filmmakers time and money.  They cater for all musical genres and every filmmaker's budget.  Their slogan is 'Helping Music Makers Make It', as their composers retain 100% of their rights and royalties.  Check out their showreel here.  

How A Joy Formidable Song Found Its Way to a Kenyan Refugee Camp

This entry is reposted from MTV IGGY

Band Aids FilmAid in Time for World Refugee Day By Beverly Bryan

20 June 2012-There is a proverb from Ghana that says “the drummer does not know how far the sound travels.” The Joy Formidable found out recently that this piece of wisdom holds as true for Welsh rockers in the UK as it does for West Africans.

The trio has become known worldwide for big swelling anthems that mix extremely loud shoegaze with the emotional punch of melodic post-hardcore. As of late, they’ve finished a second album, mostly recorded and written in Portland, Maine and finished on the tour bus while making their way through the US in March, followed by a big date at Bonnaroo. It was a bit rushed but they did get to see the Beach Boys. They’re busy building on the success of 2011′s debut album The Big Roar. They’ve reached a lot of people with their music, but about a month ago they found out just how far their sound had traveled.

Two filmmakers who had been volunteering as teaching artists in Kakuma Refugee Camp in Northern Kenya contacted them to say that they had used the Joy Formidable single “A Heavy Abacus” in a short film they shot with kids in the camp, most of whom are fleeing violence in Sudan. It shows some of the camp’s youngest residents smiling and mouthing the lyrics of the song, creating a very compelling impression that they are singing Bryan’s emotive vocals.

The filmmakers, Paola Mendoza and Topaz Adizes, wanted to know if it was alright with the band. It was. More than alright with it, The Joy Formidable has been enthusiastically spreading the word about FilmAid, the organization Mendoza and Adizes work with. “We’re very keen for people to see it,” singer and guitarist Ritzy Bryan says, “We’re just very, very honored to be involved in the project.” She got to see the rough cut a couple of weeks ago.

Bryan admits she hadn’t heard of FilmAid before Mendoza and Adizes got in touch, but is now one of its champions. “There are a whole lot of problems to tackle in the area where they’re working, but I think the way they’re approaching it, through the power of images and art as a way of connecting with people is great,” Bryan says. “It’s a great charity. We hope the video helps them reach a wider audience. It challenges people to think for a second about how other people are living. Ultimately the idea of the video is to encourage people to donate to what is a great charity.”

FilmAid uses video in different ways to uplift refugees and other vulnerable communities all over the world. Workers teach filmmaking, help refugees tell their stories, and bring movies to inform and entertain camps using mobile movie screens attached to trucks. FilmAid released the video to raise awareness, not only about their work but about World Refugee Day. Observed annually on June 20, the date was created by the UN to remember those who have been forced by conflict or disaster to leave their homes, people like the kids in Kakuma.

The band members themselves wanted to find out more about Kakuma after they saw the video. “We were curious. It definitely affected us. The images are very moving. I think we all need to be shaken out of our complacency, to take a moment to think about other people’s situations,” the musician said.

Bryan explains “A Heavy Abacus” is in some ways in harmony with the video. Even if they didn’t have a refugee camp in mind when it was written, it is a song about children. “When we originally wrote it a year and a half ago it was very much inspired by themes of children growing up too fast, losing innocence, not being shielded from adult problems, materialism. That was what was driving the song originally, and a lot of that was just based on the current state of what children are exposed to. And wanting children to be children for as long as possible.”

“Obviously, the video has put it in a completely different context. It brings a whole new level of poignancy. These children, they’re facing a much more serious challenge of basic survival,” the soft-spoken frontwoman reflected.

Being forced to leave your home in the wake of civil war can certainly bring a loss of innocence, but in the video,  kids of all ages are just being kids — laughing and playing, albeit under difficult circumstances. That’s part of what makes the film so poignant. The stars of the video might show resilience, but the filmmakers depict something far more precarious,  explaining in text that 2,000 new refugees arrive at the Kakuma each month.

The video was shot in just three days using one camera, two light reflectors and an iPhone, but it’s hard to imagine it being more impactful. The final shot shows the entire cast singing the chorus: “Abacus watching me.” Their faces, like the accompanying words and melody, are hard to forget. It puts a vibrant human face on a humanitarian crisis.

“It’s a beautifully shot video and it kind of underscores their mantra at FilmAid. The way that they’re connecting with people in places like Kakuma is through the power of film. I think it’s a very obvious example of how that can transcend other forms of communication. Music, art and visuals combined can bring home a very powerful message,” Bryan says of the clip.

The award-winning filmmakers made a similar statement about their project: “While working in the Kakuma Refugee camp we were inspired by the strength of the people we met. So often refugees are forgotten because the problem seems too overwhelming. Our intention was to have two worlds crashing together with the hopes that in the mash-up both worlds’ beauty would shine through in their purest form.”

It seems to be having the desired effect. “Certainly, there have been a lot of people watching it who have been curious about the background, the charity and the work that FilmAid does. It’s had a great response. It’s been shared by a whole host of people from different walks of life it seems,” Bryan reports.

There is more information about World Refugee Day at Worldrefugeeday.us